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- BOOKS, Page 97Sad Life of a Love Goddess
-
-
- IF THIS WAS HAPPINESS: A BIOGRAPHY OF RITA HAYWORTH
- by Barbara Leaming
- Viking; 404 pages; $19.95
-
- The photograph appeared in LIFE's Aug. 11, 1941, issue and
- later became a ubiquitous pinup during World War II: a
- surrealistically gorgeous woman partially dressed in a
- shimmering negligee knelt on a bed and smiled enigmatically over
- her bare left shoulder. Inspired by this stunning vision in
- black-and-white, countless G.I.s knew exactly what they were
- fighting for. Mom, apple pie and Rita Hayworth.
-
- Maybe one of those soldiers could have come home and saved
- her from her sad, passive fate. But If This Was Happiness makes
- such a possibility seem unlikely. Barbara Leaming, who has also
- written biographies of Roman Polanski and Orson Welles (Rita
- Hayworth's second husband), argues that Hollywood's Love Goddess
- was doomed from childhood to a private hell of uncertainty and
- unhappiness.
-
- The principal villain in this piece is the actress's
- father, an itinerant Spanish dancer named Eduardo Cansino. He
- recruited his daughter, then barely in her teens, to be his
- partner in his nightclub act. Leaming contends that he also
- sexually abused her. The evidence here is spotty, based solely
- on Welles' word that Hayworth once admitted as much to him. But
- as a working hypothesis, the trauma of incest may explain a
- lifetime of otherwise inexplicable, self-destructive blunders.
-
- Hayworth married, five times, men who were wrong for her.
- Her first husband, a drifter and grifter named Eddie Judson,
- was roughly her father's age. Although he helped turn a chubby
- young dancer into a screen siren, his methods were brutal; he
- offered her body to those in Hollywood who could advance her
- career. She claimed to have been happy with Welles, at least
- before his infidelities became too blatant. "If this was
- happiness," Welles told Leaming years later, "imagine what the
- rest of her life had been."
-
- This biography leaves little to the imagination. Divorced
- from Welles and entrusted with the care of their daughter,
- Hayworth wanted a peaceful, anonymous existence. And then she
- married. . . Aly Khan, already fabled in the tabloids for his
- wealth and promiscuity. Before long she ran back to America,
- with another daughter, Yasmin, in tow. And then she married Dick
- Haymes, a failing nightclub singer with big problems in the area
- of unpaid alimony and back taxes.
-
- Amid all these messes, she made some memorable movies,
- including Gilda and Miss Sadie Thompson. But the final years
- were awful. She abandoned her last film role in 1972. Eight
- years later, she was diagnosed as having Alzheimer's disease,
- and Yasmin cared for her until her death in 1987. Leaming's
- prose can gush ("the incomparable Hermes Pan," "the fabulous
- Eartha Kitt") and regularly descends to write-by-the-numbers
- cliche. But the material is poignant, another reminder of the
- chasm that can exist between public images and private pain.
-
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